Antebellum America (1816-1860)

November 20, 2020

This July, the American Social History Project will once again host an NEH Summer Institute for college and university faculty on the Visual Culture of the American Civil War and Its Aftermath. The institute will be a ten-day remote program taking place between June 28 and July 14, 2021.

Postponed this year due to Covid-19, the fifth iteration of our institute will focus on the Civil War and Reconstruction era’s array of visual media–including prints, photographs, cartoons, illustrated newspapers and magazines, maps, ephemera, monuments, and the fine arts. The institute will examine how information and opinion about the war and its aftermath was recorded and disseminated, and the ways visual media expressed and shaped Americans’ understanding, North and South, free and enslaved. Due to continuing restrictions regarding face-to-face meetings, this will be a remote institute in which participants will view lectures by and interact with noted historians, art historians, and archivists. In addition, they will participate in new “behind the scenes” virtual sessions with curators and staff in major museums and archives. A team of three institute faculty that represents the range of work in the field will introduce participants to the rich body of new scholarship that addresses or incorporates Civil War and postwar visual culture, prompt them via individual remote conferences to do further research, and help them to use visual evidence to enhance their scholarship and teaching. Reading assignments preceding and during the institute will prepare participants for full engagement in discussions and activities.

The institute will meet over ten days between June 28 and July 14, 2021. Faculty and visiting speakers include: Jermaine Archer, Amanda Bellows, Louise Bernard, Joshua Brown, Sarah Burns, Gregory Downs, Matthew Fox-Amato, Amanda Frisken, Lauren Hewes, Dominique Jean-Louis, Barbara Krauthamer, Allison Lange, Turkiya Lowe, Maurie McInnis, Susan Schulten, Scott Manning Stevens, and Dell Upton.

While scholars and teachers specializing in U.S. history, American studies, and art history will find the institute especially attractive, we encourage applicants from any field who are interested in the Civil War and Reconstruction era and its visual culture, regardless of your disciplinary interests. Independent scholars, scholars engaged in museum work or full-time graduate studies are also urged to apply. You need not have extensive prior knowledge of the Civil War, Reconstruction or visual culture or have previously incorporated their study in any of your courses or research. However, your application essay should identify specific ways in which a ten day concentration on the topics will enhance your teaching and/or research. In addition, please describe a research or teaching project you will develop during the institute. The ideal institute participant will bring to the group a fresh understanding of the relevance of the topic to their teaching and research.

Completed applications must be submitted via our online application system or e-mail no later than March 1, 2021. Applications sent via postal mail will not be accepted.

Full details and application information are available on the ASHP/CML Institute website. For further information, please contact Institute Director Donna Thompson Ray at dthompson@gc.cuny.edu.

Thanks to a supplementary NEH grant, many of the institute’s resources and activities are available online on The Visual Culture of the American Civil War website. The site, which currently includes sessions from our past institutes, features video lectures and related picture galleries, primary documents, and print and multimedia bibliographies.

Image: Currier & Ives. The first colored senator and representatives – in the 41st and 42nd Congress of the United States. United States, 1872. New York: Published by Currier & Ives. Photograph. https://www.loc.gov/item/98501907/.

Every election is consequential and determining who has the right to vote has been a struggle since the founding of the nation. Over the course of U.S. history, the stakes of some elections have been higher than others, especially in times of a national political, social, economic, or health crisis. Elections can also indicate the vitality of democracy itself, testing the structures of government as well as the public’s embrace of democratic principles. For those wanting to better understand this history, the American Social History Project/Center for Media and Learning has gathered a number of documents and teaching resources related to elections in the United States.

Some of the collected materials describe the efforts of men and women to expand voting rights in order to realize the nation’s ideals of freedom and democracy, for example, the campaign to win women’s suffrage. The movement to secure voting rights for African American and Mexican American residents showed the bravery, tenacity and patriotism of activists. All of these voting rights campaigns also reveal persistent efforts to constrict the electorate in order to maintain white supremacy and keep political power in the hands of those with race and economic privilege.

Other materials focus specifically on past elections, highlighting moments when the media and political campaigns developed new ways to persuade voters or to forecast election outcomes.

Finally, given the contentious 2020 Supreme Court confirmation process, a section addresses the issue of Supreme Court nominations and how the composition of the Court became politicized by President Franklin D. Roosevelt in an attempt to advance the New Deal. At the bottom of the page, we share links to other digital archives and resources that examine these, and many other issues, in more depth.

Click here to explore Understanding Elections in U.S. History.

Reading Area Community College in Pennsylvania, in partnership with ASHP/CML, was a awarded a two-year National Endowment for the Humanities (NEH) professional and curricular development grant focusing on Latino history and culture. Conexiones: Linking Berks County Latino Communities to a Larger World, aims to build faculty participants’ competency in Latino history and culture, and help them develop Latino-based humanities content for Reading Area Community College’s (RACC) general education and other courses. ASHP will conduct four seminars featuring noted scholars and archive and museum professionals. In addition, teaching workshops featuring active learning pedagogies will focus on advancing student learning with primary source documents (text, visual art, audio, film), and help faculty create new and updated teaching modules.

Conexiones builds upon efforts begun by RACC faculty during ASHP’s 2013-2015 NEH-funded Bridging Historias program, which introduced thirty-six community college faculty to Latino histories and cultures and provided curriculum design support. RACC faculty participants designed three program courses: “Latino Literature and Writing,” “Latino Community Scholars,” and “Spanish for Heritage Speakers.” Conexiones will focus on the three most dominant Latino groups in the Reading area: Dominicans, Mexicans, and Puerto Ricans. The first college to be federally designated as an Hispanic-serving institution (in 2015), RACC will collaborate with local cultural, historical, and social service organizations to strengthen ties between campus and community-based activities. By the end of fall 2018, RACC will have a collection of digitial teaching resources, a Latino Studies Associates of Arts program, and a dedicated network of educators and community leaders promoting Latino scholarship in Berks County, Pennsylvania.

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On July 13, 1865, in a spectacular fire witnessed by thousands of New Yorkers, P. T. Barnum’s American Museum in downtown Manhattan mysteriously burned to the ground. The five-story building on Broadway and Ann Street—called “the most visited place in America”—had housed a continuing array of artifacts, oddities, productions, and creatures since its opening in 1841. This July, to mark the 150th anniversary of the destruction of Barnum’s American Museum, the award-winning Lost Museum website (http://lostmuseum.cuny.edu/), first launched by American Social History Project in 2000, will re-launch in a new, enhanced format with larger graphics, clearer navigation, and with full access for the many tablets and devices that now connect to the Internet.

Barnum’s American Museum was one of the most significant cultural institutions in New York City history yet is now largely forgotten. Occurring three months after the close of the Civil War, the museum’s fiery demise, with the terrible spectacle of burning animals and onlookers cavorting among smoldering attractions, provided an unforgettable end to an institution created by the legendary showman that had entertained, educated, and often scandalized a generation of Americans. And even after its disappearance, Barnum’s American Museum would remain the model for mass entertainment extravaganzas.

It was not until 2000 that Barnum’s American Museum once again opened its doors to the public—but this time in virtual form. Years in the making, The Lost Museum, a website produced by the American Social History Project/Center for Media and Learning at the City University of New York Graduate Center and the Roy Rosenzweig Center for History and New Media at George Mason University, took visitors back to the nineteenth century on a 3-D tour of the American Museum and its myriad attractions. Supported by the National Endowment for the Humanities, informed by the latest scholarship, and utilizing cutting-edge technology, The Lost Museum was widely hailed in the press and broadcast media; received numerous new technology and education awards and citations; and garnered tens of thousands of virtual visitors internationally.

Now, thanks to this updated and redesigned version of The Lost Museum, the mysterious FeeJee Mermaid, the beautiful Circassian Woman, Confederate president Jefferson Davis in his wife’s dress—these and many other revelations and deceptions are again on view, supplemented by a rich archive of historical documents and artifacts. And visitors also have the option to seek out clues to discover who, among suspects representing social and political figures of the period, may have set the fatal 1865 fire.

Contact: Andrea Vásquez (avasquez1@gc.cuny.edu)

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Bridging Historias: Latino/a History and Culture in the Community College Classroom
Friday, May 8, 2015 9:30 am – 5:00 pm
Elebash Recital Hall, The Graduate Center, CUNY 365 Fifth Avenue, NYC

Since fall 2013, ASHP-CML has been working with thirty-eight community college faculty and administrators to assist them in incorporating material on Latino history and culture into their community college curricula. This project has been funded by the National Endowment for the Humanities. Join us for an exciting culminating full-day conference, in which we will hear from top scholars in the field, further our learning, and share classroom approaches and activities on this important topic. The keynote speaker will be Vicki Ruiz, Dean, School of Humanities, University of California, Irvine. Faculty participants will offer panels, roundtable discussions, workshops, and poster sessions. Bring your lessons, your curiosity, your creativity and join in this conversation.
Click here for full program and registration.

We are very excited to announce the launch of Who Built America Badges for History Education. The site is a free online professional learning community where teachers can work with ASHP/CML history educators to teach and create document-based, Common Core aligned units. While doing so, they earn digital badges that demonstrate their professional learning and help to advance their careers. This project grows out of our decades of work providing professional development to history teachers in New York City and elsewhere and features the engaging social history content ASHP/CML is known for. Please help us to get the word out about WBA Badges to both in-service and pre-service teachers by sharing this announcement with colleagues.

We’ve been hard at work on our latest website, Who Built America Badges for History Education. It’s free, online professional development designed to help middle and high school social studies teachers integrate the Common Core Standards into their teaching—and it’s launching in October at badges.ashp.cuny.edu. Our new professional development program, Bridging Historias through Latino History: An NEH Bridging Cultures at Community Colleges Project, is underway. Thirty-eight faculty and administrators from colleges in New York, New Jersey, Connecticut, and Pennsylvania have been active in online reading discussions and will meet at the Graduate Center in October for the first full-day seminar on “Conceptualizing Latino/a History and the Colonial Era.”

The National Endowment for the Humanities as part of its Bridging Cultures at Community Colleges initiative has awarded a $359,659 cooperative contract to the American Social History Project/Center for Media and Learning in partnership with Queensborough Community College for Bridging Historias through Latino History and Culture, a professional development program for community college faculty.

Bridging Historias masthead

The goal of Bridging Historias is to develop curricular materials that will deepen and expand the teaching and understanding of Latino history and culture across the humanities disciplines. The program will run from Fall 2013 through Spring 2015 and involves faculty members and administrators from 36 community colleges in New York, New Jersey, Connecticut, and Pennsylvania.

The project’s activities include a seminar series run by Professor María Montoya (NYU) and Professor Lisandro Pérez (John Jay College, CUNY), online reading discussions, curricular development mentoring, and a program aimed at academic administrators. A culminating conference will feature the award-winning Latino studies scholar Vicki Ruiz, dean of the School of Humanities, University of California–Irvine.

ASHP/CML staff members Pennee Bender, Donna Thompson Ray, and Andrea Ades Vásquez will work with QCC Associate Dean Michelle Cuomo, who will lead the administrators’ program, and QCC history professor Megan Elias, who will guide the faculty mentors. Also among the project personnel are sixteen U.S. humanities and Latino studies scholars.

The application for community college faculty and administrators is available online now. The submission deadline is April 30, 2013, but we would appreciate the cover sheet indicating intent to apply by March 19, 2013.

Since launching last year, Mission US: Flight to Freedom continues to win accolades from the education, media, and gaming worlds. Flight to Freedom, the second of the Mission US series of adventure games on which ASHP/CML has collaborated with public television station WNET/Thirteen and other partners, features the journey of Lucy King, a (fictional) 14-year-old girl enslaved on a Kentucky Plantation. The game and curriculum immerse players in the history of slave communities and resistance, and the wider anti-slavery struggles that led up to the Civil War. Flight to Freedom has been praised for it’s “intelligent” and “thought-provoking” approach to history. Recent awards and acknowledgements include: