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	<title>American Social History Project &#124; Center for Media and Learning &#187; Civil Rights and Citizenship</title>
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	<link>http://ashp.cuny.edu</link>
	<description>The American Social History Project &#124; Center for Media and Learning is dedicated to renewing interest in history by challenging traditional ways that people learn about the past. Founded in 1981 and based at the City University of New York Graduate Center, ASHP/CML produces print, visual, and multimedia materials that explore the richly diverse social and cultural history of the United States. We also lead professional development seminars that help teachers to use the latest scholarship, technology, and active learning methods in their classrooms.</description>
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	<copyright>2007-2009 </copyright>
	<managingEditor>aknoll@gc.cuny.edu (American Social History Project )</managingEditor>
	<webMaster>aknoll@gc.cuny.edu (American Social History Project )</webMaster>
	<category>History</category>
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		<title>American Social History Project | Center for Media and Learning &#187; Civil Rights and Citizenship</title>
		<link>http://ashp.cuny.edu</link>
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	<itunes:subtitle>American Social History Podcasts present...</itunes:subtitle>
	<itunes:summary>American Social History Podcasts are produced by the American Social History Project/Center for Media and Learning at the City University of New York Graduate Center in New York City, New York. </itunes:summary>
	<itunes:keywords>History, social justice, equal rights, women, American history, government, war, culture, education, </itunes:keywords>
	<itunes:category text="Education" />
	<itunes:category text="Government &#38; Organizations">
		<itunes:category text="Non-Profit" />
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	<itunes:category text="Society &#38; Culture">
		<itunes:category text="History" />
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	<itunes:author>American Social History Project </itunes:author>
	<itunes:owner>
		<itunes:name>American Social History Project </itunes:name>
		<itunes:email>aknoll@gc.cuny.edu</itunes:email>
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	<itunes:explicit>no</itunes:explicit>
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		<item>
		<title>Frank Deale: A Brief History of Affirmative Action and CUNY</title>
		<link>http://ashp.cuny.edu/2012/01/frank-deale-a-brief-history-of-affirmative-action-and-cuny/</link>
		<comments>http://ashp.cuny.edu/2012/01/frank-deale-a-brief-history-of-affirmative-action-and-cuny/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 14:00:03 +0000</pubDate>
		<dc:creator>Andrea</dc:creator>
				<category><![CDATA[Civil Rights and Citizenship]]></category>
		<category><![CDATA[Constitution and Government]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Politics and Political Movements]]></category>
		<category><![CDATA[Race and Ethnicity]]></category>
		<category><![CDATA[19th Century]]></category>
		<category><![CDATA[affirmative action]]></category>
		<category><![CDATA[African Americans]]></category>
		<category><![CDATA[civil rights]]></category>
		<category><![CDATA[Civil War]]></category>
		<category><![CDATA[CUNY]]></category>
		<category><![CDATA[race]]></category>
		<category><![CDATA[Reconstruction]]></category>

		<guid isPermaLink="false">http://ashp.cuny.edu/?p=7088</guid>
		<description><![CDATA[Frank Deale, CUNY School of Law
 CUNY and Race Forum (Professional Staff Congress)
 New York City College of Technology, CUNY
 December 9, 2011
Professor Frank Deale (CUNY School of Law) gave opening keynote remarks at the CUNY and Race  Forum sponsored by the Professional Staff Congress. Providing social,  political, and legal historical context for affirmative action, he  broached two themes....]]></description>
			<content:encoded><![CDATA[<p><strong>Frank Deale, CUNY School of Law</strong><br />
<strong> CUNY and Race Forum (Professional Staff Congress)</strong><br />
<strong> New York City College of Technology, CUNY</strong><br />
<strong> December 9, 2011</strong></p>
<p><a href="http://ashp.cuny.edu/wp-content/images/2012/01/FrankDeale.jpg"><img class="alignright size-full wp-image-7094" title="FrankDeale" src="http://ashp.cuny.edu/wp-content/images/2012/01/FrankDeale.jpg" alt="" width="225" height="151" /></a>Professor Frank Deale (CUNY School of Law) gave opening keynote remarks at the CUNY and Race  Forum sponsored by the Professional Staff Congress. Providing social,  political, and legal historical context for affirmative action, he  broached two themes. First, the difference between anti-discrimination  and affirmative action policies and second, voluntary affirmative action versus  change that occurs through legislative decisions. In this 17 minute talk,  Frank Deale analyzes the periods of Reconstruction and the Civil War,  including the effects of the Freedmen&#8217;s Bureau, to the Civil Rights  movement, and CUNY&#8217;s policies of the 1970s and 80s up to  the present.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<itunes:duration>0:16:38</itunes:duration>
		<itunes:subtitle>Frank Deale, CUNY School of Law
 CUNY and Race Forum (Professional Staff Congress)
 New York City College of Technology, CUNY
 December 9, 2011

Professor Frank Deale ...</itunes:subtitle>
		<itunes:summary>Frank Deale, CUNY School of Law
 CUNY and Race Forum (Professional Staff Congress)
 New York City College of Technology, CUNY
 December 9, 2011

Professor Frank Deale (CUNY School of Law) gave opening keynote remarks at the CUNY and Race  Forum sponsored by the Professional Staff Congress. Providing social,  political, and legal historical context for affirmative action, he  broached two themes. First, the difference between anti-discrimination  and affirmative action policies and second, voluntary affirmative action versus  change that occurs through legislative decisions. In this 17 minute talk,  Frank Deale analyzes the periods of Reconstruction and the Civil War,  including the effects of the Freedmen's Bureau, to the Civil Rights  movement, and CUNY's policies of the 1970s and 80s up to  the present.</itunes:summary>
		<itunes:keywords>Civil Rights and Citizenship, Constitution and Government, Podcasts, Politics and Political Movements, Race and Ethnicity</itunes:keywords>
		<itunes:author>American Social History Project </itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Ellis Island: Place and Paradigm</title>
		<link>http://ashp.cuny.edu/2012/01/ellis-island-place-and-paradigm/</link>
		<comments>http://ashp.cuny.edu/2012/01/ellis-island-place-and-paradigm/#comments</comments>
		<pubDate>Fri, 20 Jan 2012 20:08:59 +0000</pubDate>
		<dc:creator>Isa Vasquez</dc:creator>
				<category><![CDATA[Civil Rights and Citizenship]]></category>
		<category><![CDATA[Immigration and Migration]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Race and Ethnicity]]></category>
		<category><![CDATA[Scholar Talks]]></category>
		<category><![CDATA[Ellis Island]]></category>
		<category><![CDATA[immigration]]></category>

		<guid isPermaLink="false">http://ashp.cuny.edu/?p=6709</guid>
		<description><![CDATA[Historian Vincent DiGirolamo discusses the historiography of early 20th-century immigration through Ellis Island. The Ellis Island paradigm he describes is the traditional immigrant narrative: push and pull factors lead poor Europeans to sail to the United States in search of better opportunities, they come through Ellis Island and over a generation or two, through a process of assimilation, they eventually...]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.baruch.cuny.edu/wsas/academics/history/vdigirolamo.htm"><img class="alignright size-full wp-image-6714" title="Vincent DiGirolamo" src="http://ashp.cuny.edu/wp-content/images/2011/12/digirolamo.jpg" alt="" width="140" height="180" /></a>Historian Vincent DiGirolamo discusses the historiography of early 20th-century immigration through Ellis Island. The Ellis Island paradigm he describes is the traditional immigrant narrative: push and pull factors lead poor Europeans to sail to the United States in search of better opportunities, they come through Ellis Island and over a generation or two, through a process of assimilation, they eventually &#8220;become American.&#8221; This is problematic because many immigration stories do not fall neatly into this paradigm. The traditional narrative leaves no room for the many migrants who returned to their home countries; it ignores issues of race that affect the kinds of opportunities people have access to when they get here; and it does not acknowledge people who entered the United States through other ports. In this 30-minute podcast professor DiGirolamo places the subject of Ellis Island immigration during this period into historiographical perspective.</p>
<p>Click <a title="Ellis Island Powerpoint" href="http://ashp.cuny.edu/wp-content/images/2011/12/Ellis-Island-ASHP-lecture.ppt">here</a> to download the Powerpoint used in this talk.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<itunes:duration>0:30:45</itunes:duration>
		<itunes:subtitle>Historian Vincent DiGirolamo discusses the historiography of early 20th-century immigration through Ellis Island. The Ellis Island paradigm he describes is the traditional immigrant narrative: push ...</itunes:subtitle>
		<itunes:summary>Historian Vincent DiGirolamo discusses the historiography of early 20th-century immigration through Ellis Island. The Ellis Island paradigm he describes is the traditional immigrant narrative: push and pull factors lead poor Europeans to sail to the United States in search of better opportunities, they come through Ellis Island and over a generation or two, through a process of assimilation, they eventually "become American." This is problematic because many immigration stories do not fall neatly into this paradigm. The traditional narrative leaves no room for the many migrants who returned to their home countries; it ignores issues of race that affect the kinds of opportunities people have access to when they get here; and it does not acknowledge people who entered the United States through other ports. In this 30-minute podcast professor DiGirolamo places the subject of Ellis Island immigration during this period into historiographical perspective.

Click here to download the Powerpoint used in this talk.</itunes:summary>
		<itunes:keywords>Civil Rights and Citizenship, Immigration and Migration, Podcasts, Race and Ethnicity, Scholar Talks</itunes:keywords>
		<itunes:author>American Social History Project </itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Deborah Willis: Is There Anything More to See?</title>
		<link>http://ashp.cuny.edu/2012/01/deborah-willis-is-there-anything-more-to-see-2/</link>
		<comments>http://ashp.cuny.edu/2012/01/deborah-willis-is-there-anything-more-to-see-2/#comments</comments>
		<pubDate>Wed, 04 Jan 2012 20:44:52 +0000</pubDate>
		<dc:creator>Andrea</dc:creator>
				<category><![CDATA[Civil Rights and Citizenship]]></category>
		<category><![CDATA[Civil War @ 150]]></category>
		<category><![CDATA[Gender and Sexuality]]></category>
		<category><![CDATA[Labor]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Race and Ethnicity]]></category>
		<category><![CDATA[19th Century]]></category>
		<category><![CDATA[African Americans]]></category>
		<category><![CDATA[Civil War]]></category>
		<category><![CDATA[emancipation]]></category>
		<category><![CDATA[labor]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[race]]></category>

		<guid isPermaLink="false">http://ashp.cuny.edu/?p=6933</guid>
		<description><![CDATA[Deborah Willis, Tisch School of the Arts, New York University
Civil War @ 150: Is There Anything More to See?
CUNY Graduate Center
November 3, 2011
In this seventeen minute talk,  professor, curator, photographer Deborah Willis discusses the pictorial record and a &#8220;new memory of photography&#8221;—how  these images have become standards for reimagining the lives of black soldiers and workers....]]></description>
			<content:encoded><![CDATA[<p><strong>Deborah Willis, Tisch School of the Arts, New York University<br />
</strong><strong>Civil War @ 150: Is There Anything More to See?</strong><br />
<strong>CUNY Graduate Center</strong><br />
<strong>November 3, 2011</strong></p>
<p><a href="http://ashp.cuny.edu/wp-content/images/thumb_dwillis1.jpg"><img class="alignright size-full wp-image-4281" title="Deborah Willis" src="http://ashp.cuny.edu/wp-content/images/thumb_dwillis1.jpg" alt="" width="125" height="140" /></a>In this seventeen minute talk, <!-- @font-face {   font-family: "ＭＳ 明朝"; }@font-face {   font-family: "ＭＳ 明朝"; }@font-face {   font-family: "Cambria"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 10pt; font-size: 12pt; font-family: Cambria; }.MsoChpDefault { font-size: 10pt; font-family: Cambria; }.MsoPapDefault { margin-bottom: 10pt; }div.WordSection1 { page: WordSection1; } --> professor, curator, photographer Deborah Willis discusses the pictorial record and a &#8220;new memory of photography&#8221;—how <!-- @font-face {   font-family: "ＭＳ 明朝"; }@font-face {   font-family: "Cambria Math"; }@font-face {   font-family: "Cambria"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 10pt; font-size: 12pt; font-family: Cambria; }.MsoChpDefault { font-size: 10pt; font-family: Cambria; }.MsoPapDefault { margin-bottom: 10pt; }div.WordSection1 { page: WordSection1; } --> these images have become standards for reimagining the lives of black soldiers and workers. <!-- @font-face {   font-family: "ＭＳ 明朝"; }@font-face {   font-family: "Cambria Math"; }@font-face {   font-family: "Cambria"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 10pt; font-size: 12pt; font-family: Cambria; }.MsoChpDefault { font-size: 10pt; font-family: Cambria; }.MsoPapDefault { margin-bottom: 10pt; }div.WordSection1 { page: WordSection1; } --> As Civil War photographs were widely circulated, they became a story telling moment for those who posed. Looking at numerous images, she contemplates the &#8220;standard of pose&#8221; and what may have happened in front of the camera as well as the ways that these photos document the jobs, lives, aspirations, and beliefs of the soldiers. This talk was part of the public seminar: <a href="http://ashp.cuny.edu/civil-war-150/photography/"> Is There Anything More to See?</a></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<itunes:duration>0:18:19</itunes:duration>
		<itunes:subtitle>Deborah Willis, Tisch School of the Arts, New York University
Civil War @ 150: Is There Anything More to See?
CUNY Graduate Center
November 3, 2011

In this seventeen ...</itunes:subtitle>
		<itunes:summary>Deborah Willis, Tisch School of the Arts, New York University
Civil War @ 150: Is There Anything More to See?
CUNY Graduate Center
November 3, 2011

In this seventeen minute talk,  professor, curator, photographer Deborah Willis discusses the pictorial record and a "new memory of photography"—how  these images have become standards for reimagining the lives of black soldiers and workers.  As Civil War photographs were widely circulated, they became a story telling moment for those who posed. Looking at numerous images, she contemplates the "standard of pose" and what may have happened in front of the camera as well as the ways that these photos document the jobs, lives, aspirations, and beliefs of the soldiers. This talk was part of the public seminar:  Is There Anything More to See?</itunes:summary>
		<itunes:keywords>Civil Rights and Citizenship, Civil War @ 150, Gender and Sexuality, Labor, Podcasts, Race and Ethnicity</itunes:keywords>
		<itunes:author>American Social History Project </itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Mary Niall Mitchell: Is There Anything More to See?</title>
		<link>http://ashp.cuny.edu/2012/01/mary-niall-mitchell-is-there-anything-more-to-see/</link>
		<comments>http://ashp.cuny.edu/2012/01/mary-niall-mitchell-is-there-anything-more-to-see/#comments</comments>
		<pubDate>Wed, 04 Jan 2012 20:42:36 +0000</pubDate>
		<dc:creator>Andrea</dc:creator>
				<category><![CDATA[Civil Rights and Citizenship]]></category>
		<category><![CDATA[Civil War @ 150]]></category>
		<category><![CDATA[Gender and Sexuality]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Public Program]]></category>
		<category><![CDATA[Race and Ethnicity]]></category>
		<category><![CDATA[Women]]></category>
		<category><![CDATA[19th Century]]></category>
		<category><![CDATA[abolitionists]]></category>
		<category><![CDATA[African Americans]]></category>
		<category><![CDATA[Civil War]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[race]]></category>

		<guid isPermaLink="false">http://ashp.cuny.edu/?p=6870</guid>
		<description><![CDATA[Mary Niall Mitchell, University of New Orleans
Civil War @ 150: Is There Anything More to See?
CUNY Graduate Center
November 3, 2011

In this seventeen minute talk, historian Mary Niall Mitchell uses less known and difficult to understand photographs to discuss the use of photography as propaganda during the Civil War. Abolitionists knew that they needed to &#8220;shrink the...]]></description>
			<content:encoded><![CDATA[<p><strong>Mary Niall Mitchell, University of New Orleans<br />
</strong><strong>Civil War @ 150: Is There Anything More to See?</strong><br />
<strong>CUNY Graduate Center</strong><br />
<strong>November 3, 2011</strong></p>
<p><a href="http://ashp.cuny.edu/wp-content/images/thumb_mitchell2.png"><img class="alignright size-full wp-image-4292" title="thumb_mitchell2" src="http://ashp.cuny.edu/wp-content/images/thumb_mitchell2.png" alt="" width="114" height="145" /></a></p>
<p>In this seventeen minute talk, historian Mary Niall Mitchell uses less known and difficult to understand photographs to discuss the use of photography as propaganda during the Civil War. Abolitionists knew that they needed to &#8220;shrink the distance between the enslaved and the free&#8221; in order to reach their target audience, the white middle class. They harnessed an early form of documentary photography as the ideal medium with which to reach this broad public. Anti-slavery activists used staged studio portraits of white-looking children dressed not as ragged but rather Victorian. Before-and-after photos showed the move from rags to respectability. Mitchell says that these images represent &#8220;the Civil War we don&#8217;t remember&#8221;—a set of ideas about children, race, and photography that have not been part of the narrative. This talk was part of the public seminar: <a href="http://ashp.cuny.edu/civil-war-150/photography/"> Is There Anything More to See?</a></p>
]]></content:encoded>
			<wfw:commentRss>http://ashp.cuny.edu/2012/01/mary-niall-mitchell-is-there-anything-more-to-see/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<itunes:duration>0:18:47</itunes:duration>
		<itunes:subtitle>Mary Niall Mitchell, University of New Orleans
Civil War @ 150: Is There Anything More to See?
CUNY Graduate Center
November 3, 2011



In this seventeen minute talk, historian ...</itunes:subtitle>
		<itunes:summary>Mary Niall Mitchell, University of New Orleans
Civil War @ 150: Is There Anything More to See?
CUNY Graduate Center
November 3, 2011



In this seventeen minute talk, historian Mary Niall Mitchell uses less known and difficult to understand photographs to discuss the use of photography as propaganda during the Civil War. Abolitionists knew that they needed to "shrink the distance between the enslaved and the free" in order to reach their target audience, the white middle class. They harnessed an early form of documentary photography as the ideal medium with which to reach this broad public. Anti-slavery activists used staged studio portraits of white-looking children dressed not as ragged but rather Victorian. Before-and-after photos showed the move from rags to respectability. Mitchell says that these images represent "the Civil War we don't remember"—a set of ideas about children, race, and photography that have not been part of the narrative. This talk was part of the public seminar:  Is There Anything More to See?</itunes:summary>
		<itunes:keywords>Civil Rights and Citizenship, Civil War @ 150, Gender and Sexuality, Podcasts, Public Program, Race and Ethnicity, Women</itunes:keywords>
		<itunes:author>American Social History Project </itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Anthony Lee: Is There Anything More to See?</title>
		<link>http://ashp.cuny.edu/2012/01/anthony-lee-is-there-anything-more-to-see/</link>
		<comments>http://ashp.cuny.edu/2012/01/anthony-lee-is-there-anything-more-to-see/#comments</comments>
		<pubDate>Wed, 04 Jan 2012 20:37:35 +0000</pubDate>
		<dc:creator>Andrea</dc:creator>
				<category><![CDATA[ASHP E Newsletters]]></category>
		<category><![CDATA[Civil Rights and Citizenship]]></category>
		<category><![CDATA[Civil War @ 150]]></category>
		<category><![CDATA[Gender and Sexuality]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Public Program]]></category>
		<category><![CDATA[Race and Ethnicity]]></category>
		<category><![CDATA[African Americans]]></category>
		<category><![CDATA[Civil War]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[public programs]]></category>
		<category><![CDATA[race]]></category>

		<guid isPermaLink="false">http://ashp.cuny.edu/?p=6864</guid>
		<description><![CDATA[Anthony Lee, Mount Holyoke  College
Civil War @ 150: Is There Anything More to See?
CUNY Graduate Center
November 3, 2011

In this 15 minute talk, art historian, curator, and photographer Anthony Lee provocatively examines Civil War era photography by way of one case study. The discovery, in June 2010,  of a supposedly rare carte-de-visite depicting two African-American boys began...]]></description>
			<content:encoded><![CDATA[<p><strong>Anthony Lee, Mount Holyoke  College<br />
</strong><strong>Civil War @ 150: Is There Anything More to See?</strong><br />
<strong>CUNY Graduate Center</strong><br />
<strong>November 3, 2011</strong></p>
<p><a href="http://ashp.cuny.edu/wp-content/images/thumb_lee23.png"><img class="alignright size-full wp-image-4301" title="thumb_lee2" src="http://ashp.cuny.edu/wp-content/images/thumb_lee23.png" alt="" width="109" height="135" /></a></p>
<p>In this 15 minute talk, art historian, curator, and photographer Anthony Lee provocatively examines Civil War era photography by way of one case study. The discovery, in June 2010,  of a supposedly rare carte-de-visite depicting two African-American boys began a contentious ordeal over the monetary and historic value of the artifact. Lee examines the process involved in the creation of photographs during Civil War and their possible meanings and uses in the historical moment. In his unfolding of the recent events after the discovery of the image, which is in fact either a carte-de-visite or part of a stereograph, Lee shows how the meaning of the image went from &#8220;abuse + mistreatment&#8221; to &#8220;patronizing and possibly ironical&#8221; to &#8220;resiiance and defiance&#8221; depending on the interpretations of each of the image&#8217;s owners. He concludes that &#8220;Civil War photographers often anticipated that their work would become the key elements of historical recall and fashioned pictures to match those needs&#8230;it&#8217;s up to us to recognize their strategies.&#8221; This talk was part of the public seminar: <a href="http://ashp.cuny.edu/civil-war-150/photography/"> Is There Anything More to See?</a></p>
]]></content:encoded>
			<wfw:commentRss>http://ashp.cuny.edu/2012/01/anthony-lee-is-there-anything-more-to-see/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://ashp.cuny.edu/podpress_trac/feed/6864/0/11-3-11ALee.mp3" length="15949347" type="audio/mpeg" />
		<itunes:duration>0:16:37</itunes:duration>
		<itunes:subtitle>Anthony Lee, Mount Holyoke  College
Civil War @ 150: Is There Anything More to See?
CUNY Graduate Center
November 3, 2011



In this 15 minute talk, art historian, curator, ...</itunes:subtitle>
		<itunes:summary>Anthony Lee, Mount Holyoke  College
Civil War @ 150: Is There Anything More to See?
CUNY Graduate Center
November 3, 2011



In this 15 minute talk, art historian, curator, and photographer Anthony Lee provocatively examines Civil War era photography by way of one case study. The discovery, in June 2010,  of a supposedly rare carte-de-visite depicting two African-American boys began a contentious ordeal over the monetary and historic value of the artifact. Lee examines the process involved in the creation of photographs during Civil War and their possible meanings and uses in the historical moment. In his unfolding of the recent events after the discovery of the image, which is in fact either a carte-de-visite or part of a stereograph, Lee shows how the meaning of the image went from "abuse + mistreatment" to "patronizing and possibly ironical" to "resiiance and defiance" depending on the interpretations of each of the image's owners. He concludes that "Civil War photographers often anticipated that their work would become the key elements of historical recall and fashioned pictures to match those needs...it's up to us to recognize their strategies." This talk was part of the public seminar:  Is There Anything More to See?</itunes:summary>
		<itunes:keywords>ASHP E Newsletters, Civil Rights and Citizenship, Civil War @ 150, Gender and Sexuality, Podcasts, Public Program, Race and Ethnicity</itunes:keywords>
		<itunes:author>American Social History Project </itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Martha A. Sandweiss: Is There Anything More to See?</title>
		<link>http://ashp.cuny.edu/2012/01/martha-a-sandweiss-is-there-anything-more-to-see/</link>
		<comments>http://ashp.cuny.edu/2012/01/martha-a-sandweiss-is-there-anything-more-to-see/#comments</comments>
		<pubDate>Wed, 04 Jan 2012 17:36:02 +0000</pubDate>
		<dc:creator>Andrea</dc:creator>
				<category><![CDATA[Civil Rights and Citizenship]]></category>
		<category><![CDATA[Civil War @ 150]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Public Program]]></category>
		<category><![CDATA[Race and Ethnicity]]></category>
		<category><![CDATA[19th Century]]></category>
		<category><![CDATA[African Americans]]></category>
		<category><![CDATA[Civil War]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[race]]></category>

		<guid isPermaLink="false">http://ashp.cuny.edu/?p=6856</guid>
		<description><![CDATA[Martha A. Sandweiss, Princeton University
Civil War @ 150: Is There Anything More to See?
CUNY Graduate Center
November 3, 2011

In this thirteen minute presentation, historian Martha Sandweiss challenges assumptions and some of the uses of Civil War photographs as historical documents. Although biased, unreliable, and unrepresentative, the images are mostly used as illustrations of events. While we remain...]]></description>
			<content:encoded><![CDATA[<p><strong>Martha A. Sandweiss, Princeton University</strong><br />
<strong>Civil War @ 150: Is There Anything More to See?</strong><br />
<strong>CUNY Graduate Center</strong><br />
<strong>November 3, 2011</strong></p>
<p><a href="http://ashp.cuny.edu/wp-content/images/thumb_sandweiss21.png"><img class="alignright size-full wp-image-4288" title="thumb_sandweiss2" src="http://ashp.cuny.edu/wp-content/images/thumb_sandweiss21.png" alt="" width="125" height="129" /></a></p>
<p>In this thirteen minute presentation, historian Martha Sandweiss challenges assumptions and some of the uses of Civil War photographs as historical documents. Although biased, unreliable, and unrepresentative, the images are mostly used as illustrations of events. While we remain fascinated with Civil War images, there is insufficient knowledge of how they were created and how they circulated in their own time. Research remains if we are to understand how these photographs shaped public opinion while simultaneously competing with other forms of imagery of the period. Today, we are left with the challenge of &#8220;how the limited and biased photographic record has shaped both public memory of a complex event and the writing of scholars, making us more likely to narrate some stories at the expense of others.&#8221; This talk was part of the public seminar: <a href="http://ashp.cuny.edu/civil-war-150/photography/"> Is There Anything More to See?</a></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<itunes:duration>0:12:56</itunes:duration>
		<itunes:subtitle>Martha A. Sandweiss, Princeton University
Civil War @ 150: Is There Anything More to See?
CUNY Graduate Center
November 3, 2011



In this thirteen minute presentation, historian Martha Sandweiss ...</itunes:subtitle>
		<itunes:summary>Martha A. Sandweiss, Princeton University
Civil War @ 150: Is There Anything More to See?
CUNY Graduate Center
November 3, 2011



In this thirteen minute presentation, historian Martha Sandweiss challenges assumptions and some of the uses of Civil War photographs as historical documents. Although biased, unreliable, and unrepresentative, the images are mostly used as illustrations of events. While we remain fascinated with Civil War images, there is insufficient knowledge of how they were created and how they circulated in their own time. Research remains if we are to understand how these photographs shaped public opinion while simultaneously competing with other forms of imagery of the period. Today, we are left with the challenge of "how the limited and biased photographic record has shaped both public memory of a complex event and the writing of scholars, making us more likely to narrate some stories at the expense of others." This talk was part of the public seminar:  Is There Anything More to See?</itunes:summary>
		<itunes:keywords>Civil Rights and Citizenship, Civil War @ 150, Podcasts, Public Program, Race and Ethnicity</itunes:keywords>
		<itunes:author>American Social History Project </itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>David Ruggles, Radical Black Abolitionist, and the Reform Tradition in Antebellum America</title>
		<link>http://ashp.cuny.edu/2011/12/david-ruggles-radical-black-abolitionist-and-the-reform-tradition-in-antebellum-america/</link>
		<comments>http://ashp.cuny.edu/2011/12/david-ruggles-radical-black-abolitionist-and-the-reform-tradition-in-antebellum-america/#comments</comments>
		<pubDate>Thu, 22 Dec 2011 18:31:30 +0000</pubDate>
		<dc:creator>Leah Nahmias</dc:creator>
				<category><![CDATA[Civil Rights and Citizenship]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Politics and Political Movements]]></category>
		<category><![CDATA[Scholar Talks]]></category>
		<category><![CDATA[Abolitionism]]></category>
		<category><![CDATA[David Ruggles]]></category>
		<category><![CDATA[Underground Railroad]]></category>

		<guid isPermaLink="false">http://ashp.cuny.edu/?p=5654</guid>
		<description><![CDATA[Historian Graham Russell Gao Hodges of Colgate University leads a discussion of the life of David Ruggles, black abolitionist of the 1830s, conductor of the Underground Railroad in New York City, author of numerous, ground-breaking pamphlets, editor of the nation&#8217;s first black magazine, and later, a doctor of hydrotherapy. This 50 minute podcast places Ruggles in the context of abolitionism...]]></description>
			<content:encoded><![CDATA[<p><a rel="attachment wp-att-5655" href="http://ashp.cuny.edu/2011/12/david-ruggles-radical-black-abolitionist-and-the-reform-tradition-in-antebellum-america/graham-hodges/"><img class="alignright size-medium wp-image-5655" title="graham hodges" src="http://ashp.cuny.edu/wp-content/images/2011/08/graham-hodges-300x300.jpg" alt="" width="201" height="201" /></a>Historian Graham Russell Gao Hodges of Colgate University leads a discussion of the life of David Ruggles, black abolitionist of the 1830s, conductor of the Underground Railroad in New York City, author of numerous, ground-breaking pamphlets, editor of the nation&#8217;s first black magazine, and later, a doctor of hydrotherapy. This 50 minute podcast places Ruggles in the context of abolitionism and the Underground Railroad in New York City and in the nation generally. Professor Hodges&#8217;s talk draws upon his book <em>David Ruggles: A Radical Black Abolitionist and the Underground Railroad in New York City </em>(UNC Press, 2010.).</p>
<p>Professor Hodges delivered this talk to a group of New York City public school teachers at the New York Public Library.</p>
]]></content:encoded>
			<wfw:commentRss>http://ashp.cuny.edu/2011/12/david-ruggles-radical-black-abolitionist-and-the-reform-tradition-in-antebellum-america/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<itunes:duration>0:50:50</itunes:duration>
		<itunes:subtitle>Historian Graham Russell Gao Hodges of Colgate University leads a discussion of the life of David Ruggles, black abolitionist of the 1830s, conductor of the ...</itunes:subtitle>
		<itunes:summary>Historian Graham Russell Gao Hodges of Colgate University leads a discussion of the life of David Ruggles, black abolitionist of the 1830s, conductor of the Underground Railroad in New York City, author of numerous, ground-breaking pamphlets, editor of the nation's first black magazine, and later, a doctor of hydrotherapy. This 50 minute podcast places Ruggles in the context of abolitionism and the Underground Railroad in New York City and in the nation generally. Professor Hodges's talk draws upon his book David Ruggles: A Radical Black Abolitionist and the Underground Railroad in New York City (UNC Press, 2010.).

Professor Hodges delivered this talk to a group of New York City public school teachers at the New York Public Library.</itunes:summary>
		<itunes:keywords>Civil Rights and Citizenship, Podcasts, Politics and Political Movements, Scholar Talks</itunes:keywords>
		<itunes:author>American Social History Project </itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Grassroots Politics and Reconstruction</title>
		<link>http://ashp.cuny.edu/2011/12/grassroots-politics-and-reconstruction/</link>
		<comments>http://ashp.cuny.edu/2011/12/grassroots-politics-and-reconstruction/#comments</comments>
		<pubDate>Tue, 13 Dec 2011 16:01:15 +0000</pubDate>
		<dc:creator>Ellen Noonan</dc:creator>
				<category><![CDATA[Civil Rights and Citizenship]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Politics and Political Movements]]></category>
		<category><![CDATA[Race and Ethnicity]]></category>

		<guid isPermaLink="false">http://ashp.cuny.edu/?p=4601</guid>
		<description><![CDATA[Gregory Downs, City College of New York, CUNY
&#8220;Ballots and Blood: The Grassroots Struggle for the Future of Reconstruction&#8221;
The Graduate Center, CUNY
July 19, 2010
The Reconstruction era was marked by both triumph and defeat as the newly emancipated slaves and their allies attempted to establish full political and economic freedoms in the face of violent opposition. While planters...]]></description>
			<content:encoded><![CDATA[<p><strong>Gregory Downs, City College of New York, CUNY<br />
&#8220;Ballots and Blood: The Grassroots Struggle for the Future of Reconstruction&#8221;<br />
The Graduate Center, CUNY<br />
July 19, 2010<img class="alignright size-full wp-image-4025" title="Gregory Downs, City College of New York, CUNY" src="http://ashp.cuny.edu/wp-content/images/gregdowns.jpg" alt="Gregory Downs, City College of New York, CUNY" /></strong></p>
<p>The Reconstruction era was marked by both triumph and defeat as the newly emancipated slaves and their allies attempted to establish full political and economic freedoms in the face of violent opposition. While planters were initially successful in limiting the rights that accompanied emancipation, by the late 1860s freedpeople responded by asserting their claims to land, voting, and equal access. In the 1870s, former Confederates mobilized their own local political movements, using violent intimidation to quell gains in black voting and economic advancement.</p>
<p>In Part 1 of this podcast, Downs explores the main themes of Reconstruction through the story of Henry Adams, a remarkable former slave, Union army veteran, and successful businessman who organized freedpeople in the South to emigrate to Kansas. In Part 2, he describes the twists and turns in the Reconstruction struggle over what rights and protections would come with emancipation. He also discusses two primary documents (see below).</p>
<div id="attachment_4607" class="wp-caption alignnone" style="width: 267px"><a href="http://herb.ashp.cuny.edu/items/show/662"><img class="size-full wp-image-4607   " title="Wood engraving, Harper's Weekly, 26 September 1874" src="http://ashp.cuny.edu/wp-content/images/scarecrowcartoon1.jpg" alt="Wood engraving, Harper's Weekly, 26 September 1874" width="257" height="250" /></a><p class="wp-caption-text">Wood engraving, Harper&#39;s Weekly, 26 September 1874</p></div>
<p style="text-align: left;"><a href="http://herb.ashp.cuny.edu/items/show/1534">Southern Democrats Declare &#8220;a Dead Radical Is Very Harmless&#8221; document</a></p>
]]></content:encoded>
			<wfw:commentRss>http://ashp.cuny.edu/2011/12/grassroots-politics-and-reconstruction/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<itunes:duration>0:34:40</itunes:duration>
		<itunes:subtitle>Gregory Downs, City College of New York, CUNY
"Ballots and Blood: The Grassroots Struggle for the Future of Reconstruction"
The Graduate Center, CUNY
July 19, 2010

The Reconstruction era ...</itunes:subtitle>
		<itunes:summary>Gregory Downs, City College of New York, CUNY
"Ballots and Blood: The Grassroots Struggle for the Future of Reconstruction"
The Graduate Center, CUNY
July 19, 2010

The Reconstruction era was marked by both triumph and defeat as the newly emancipated slaves and their allies attempted to establish full political and economic freedoms in the face of violent opposition. While planters were initially successful in limiting the rights that accompanied emancipation, by the late 1860s freedpeople responded by asserting their claims to land, voting, and equal access. In the 1870s, former Confederates mobilized their own local political movements, using violent intimidation to quell gains in black voting and economic advancement.

In Part 1 of this podcast, Downs explores the main themes of Reconstruction through the story of Henry Adams, a remarkable former slave, Union army veteran, and successful businessman who organized freedpeople in the South to emigrate to Kansas. In Part 2, he describes the twists and turns in the Reconstruction struggle over what rights and protections would come with emancipation. He also discusses two primary documents (see below).

[caption id="attachment_4607" align="alignnone" width="257" caption="Wood engraving, Harper&#39;s Weekly, 26 September 1874"][/caption]
Southern Democrats Declare "a Dead Radical Is Very Harmless" document</itunes:summary>
		<itunes:keywords>Civil Rights and Citizenship, Podcasts, Politics and Political Movements, Race and Ethnicity</itunes:keywords>
		<itunes:author>American Social History Project </itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Scott Reynolds Nelson: Civil War Myths and Misinformation</title>
		<link>http://ashp.cuny.edu/2011/11/scott-reynolds-nelson-some-little-known-aspects-of-the-civil-war/</link>
		<comments>http://ashp.cuny.edu/2011/11/scott-reynolds-nelson-some-little-known-aspects-of-the-civil-war/#comments</comments>
		<pubDate>Thu, 24 Nov 2011 18:39:42 +0000</pubDate>
		<dc:creator>Pennee Bender</dc:creator>
				<category><![CDATA[Civil Rights and Citizenship]]></category>
		<category><![CDATA[Civil War @ 150]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Race and Ethnicity]]></category>

		<guid isPermaLink="false">http://ashp.cuny.edu/?p=6589</guid>
		<description><![CDATA[Scott Reynolds Nelson, William and Mary College
Civil War @ 150: Civil War Myths and Misinformation
CUNY Graduate Center
April 5, 2011
In his 18 minute talk, Scott Reynolds Nelson contrasts three common images or notions from the Civil War with lesser known aspects that prevailed in the nineteenth century. While Abraham Lincoln and the Republican Party are generally perceived...]]></description>
			<content:encoded><![CDATA[<p><strong>Scott Reynolds Nelson, William and Mary College<a href="http://ashp.cuny.edu/wp-content/images/scott_reynolds.gif"><img class="alignright size-medium wp-image-4324" title="scott_reynolds" src="http://ashp.cuny.edu/wp-content/images/scott_reynolds-291x300.gif" alt="" width="171" height="178" /></a><br />
Civil War @ 150: Civil War Myths and Misinformation<br />
CUNY Graduate Center<br />
April 5, 2011</strong></p>
<p>In his 18 minute talk, Scott Reynolds Nelson contrasts three common images or notions from the Civil War with lesser known aspects that prevailed in the nineteenth century. While Abraham Lincoln and the Republican Party are generally perceived as do-gooders, Nelson describes the paramilitary Wide Awake Clubs within the Party that Southerners feared as a potentially invading army. Battle scenes are common in popular culture representations of the war, but how the Civil War changed the food industry with the rise of modern canned, branded-name foods sold in the military camps is little explored.  Finally, Nelson discusses the importance of California and the transcontinental railroad to both sides of the war. This talk was part of the public seminar: <a href="http://ashp.cuny.edu/civil-war-150/civil_war_myths/"> Civil War Myths and Misinformation</a>.</p>
<p>&nbsp;</p>
<p></p>
<p>&nbsp;</p>
]]></content:encoded>
			<wfw:commentRss>http://ashp.cuny.edu/2011/11/scott-reynolds-nelson-some-little-known-aspects-of-the-civil-war/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<itunes:duration>0:18:18</itunes:duration>
		<itunes:subtitle>Scott Reynolds Nelson, William and Mary College
Civil War @ 150: Civil War Myths and Misinformation
CUNY Graduate Center
April 5, 2011

In his 18 minute talk, Scott Reynolds ...</itunes:subtitle>
		<itunes:summary>Scott Reynolds Nelson, William and Mary College
Civil War @ 150: Civil War Myths and Misinformation
CUNY Graduate Center
April 5, 2011

In his 18 minute talk, Scott Reynolds Nelson contrasts three common images or notions from the Civil War with lesser known aspects that prevailed in the nineteenth century. While Abraham Lincoln and the Republican Party are generally perceived as do-gooders, Nelson describes the paramilitary Wide Awake Clubs within the Party that Southerners feared as a potentially invading army. Battle scenes are common in popular culture representations of the war, but how the Civil War changed the food industry with the rise of modern canned, branded-name foods sold in the military camps is little explored.  Finally, Nelson discusses the importance of California and the transcontinental railroad to both sides of the war. This talk was part of the public seminar:  Civil War Myths and Misinformation.

&#160;



&#160;</itunes:summary>
		<itunes:keywords>Civil Rights and Citizenship, Civil War @ 150, Podcasts, Race and Ethnicity</itunes:keywords>
		<itunes:author>American Social History Project </itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Gary W. Gallagher: Civil War Myths and Misinformation</title>
		<link>http://ashp.cuny.edu/2011/11/gary-w-gallagher-understanding-the-meaning-of-union/</link>
		<comments>http://ashp.cuny.edu/2011/11/gary-w-gallagher-understanding-the-meaning-of-union/#comments</comments>
		<pubDate>Thu, 17 Nov 2011 18:39:19 +0000</pubDate>
		<dc:creator>Pennee Bender</dc:creator>
				<category><![CDATA[Civil Rights and Citizenship]]></category>
		<category><![CDATA[Civil War @ 150]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Public Program]]></category>
		<category><![CDATA[Race and Ethnicity]]></category>
		<category><![CDATA[Civil War]]></category>
		<category><![CDATA[public programs]]></category>
		<category><![CDATA[sectional conflict]]></category>

		<guid isPermaLink="false">http://ashp.cuny.edu/?p=6578</guid>
		<description><![CDATA[Gary W. Gallagher, University of Virginia
 Civil War @150: Civil War Myths and Misinformation
 CUNY Graduate Center
 April 5, 2011
In this 16 minute talk, Gary W. Gallagher describes the ways that northerners viewed the war and their commitment to the nation as a union. While not downplaying the importance of emancipation, Gallagher argues that the concept of union was...]]></description>
			<content:encoded><![CDATA[<p><strong>Gary W. Gallagher, University of Virginia</strong><strong><a href="http://ashp.cuny.edu/wp-content/images/gallagher.jpg"><img class="alignright size-full wp-image-4318" title="Gary W. Gallagher" src="http://ashp.cuny.edu/wp-content/images/gallagher.jpg" alt="" width="150" height="203" /></a></strong><br />
<strong> Civil War @150: Civil War Myths and Misinformation</strong><br />
<strong> CUNY Graduate Center</strong><br />
<strong> April 5, 2011</strong></p>
<p>In this 16 minute talk, Gary W. Gallagher describes the ways that northerners viewed the war and their commitment to the nation as a union. While not downplaying the importance of emancipation, Gallagher argues that the concept of union was paramount for most northerners. They viewed southern slave owners as oligarchs who threatened the nation&#8217;s founding principles and the very notion of democracy. Both popular culture and recent scholarship have ignored the importance of union and most Americans today have a little understanding of its significance to Civil War era citizens. This talk was part of the public seminar: <a href= "http://ashp.cuny.edu/civil-war-150/civil_war_myths/"> Civil War Myths and Misinformation</a>.</p>
<p>&nbsp;</p>
<p></p>
]]></content:encoded>
			<wfw:commentRss>http://ashp.cuny.edu/2011/11/gary-w-gallagher-understanding-the-meaning-of-union/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<itunes:duration>0:16:00</itunes:duration>
		<itunes:subtitle>Gary W. Gallagher, University of Virginia
 Civil War @150: Civil War Myths and Misinformation
 CUNY Graduate Center
 April 5, 2011

In this 16 minute talk, Gary ...</itunes:subtitle>
		<itunes:summary>Gary W. Gallagher, University of Virginia
 Civil War @150: Civil War Myths and Misinformation
 CUNY Graduate Center
 April 5, 2011

In this 16 minute talk, Gary W. Gallagher describes the ways that northerners viewed the war and their commitment to the nation as a union. While not downplaying the importance of emancipation, Gallagher argues that the concept of union was paramount for most northerners. They viewed southern slave owners as oligarchs who threatened the nation's founding principles and the very notion of democracy. Both popular culture and recent scholarship have ignored the importance of union and most Americans today have a little understanding of its significance to Civil War era citizens. This talk was part of the public seminar:  Civil War Myths and Misinformation.

&#160;

</itunes:summary>
		<itunes:keywords>Civil Rights and Citizenship, Civil War @ 150, Podcasts, Public Program, Race and Ethnicity</itunes:keywords>
		<itunes:author>American Social History Project </itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
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